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Dead Cross - Dead Cross album

Dead Cross - Dead Cross album
Performer: Dead Cross
Title: Dead Cross
Released: 2017
Country: US
Style: Hardcore, Avantgarde, Experimental, Math Rock, Noise, Thrash
Genre: Rock
Rating: 4.9
Votes: 696
MP3 size: 1277 mb
FLAC size: 1210 mb


Seizure And Desist 2:37
Idiopathic 2:42
Obedience School 2:49
Shillelagh 2:32
Bela Lugosi's Dead 2:33
Divine Filth 2:19
Grave Slave 1:59
The Future Has Been Cancelled 2:17
Gag Reflex 4:21
Church Of The Motherfuckers 3:24


Category Artist Title (Format) Label Category Country Year
IPC193, #93 Dead Cross Dead Cross ‎(CD, Album, Dig) Ipecac Recordings, Three One G (31G) IPC193, #93 US 2017
IPC193LP Dead Cross Dead Cross ‎(10xFile, MP3, Album, 320) Ipecac Recordings IPC193LP US 2017
IPC193LP Dead Cross Dead Cross ‎(LP, Album, Ltd, Gol) Ipecac Recordings IPC193LP US 2017
HSE-4200 Dead Cross Dead Cross ‎(CD, Album, Pap) Ipecac Recordings, Hostess Entertainment Unlimited HSE-4200 Japan 2017
IPC-193, #93 Dead Cross Dead Cross ‎(CD, Album, Unofficial) Ipecac Recordings , Three One G (31G) IPC-193, #93 Russia 2017
IPC193LP Dead Cross Dead Cross ‎(LP, Album, Red) Ipecac Recordings IPC193LP US 2017

Dead Cross by Dead Cross, released 04 August 2017 1. Seizure and Desist 2. Idiopathic 3. Obedience School 4. Shillelagh 5. Bela Lugosi's Dead 6. Divine Filth 7. Grave Slave 8. The Future Has Been Cancelled 9. Gag Reflex 10. Church of the Motherfuckers In stores AUGUST 4TH! Dead Cross emerged out of a series of impractical schemes, fallen-through plans, and last-minute musical experimentation. Shows were scheduled before a single song was written, fans were formed before even one show was played. The chaos of its creation seems apt; after all, the band is comprised entirely of artists who. Sweet Suburbia Fantastic album. Favourite track a different take on Bela Lugosi's Dead. Grugglo Allaheen Fantastic set at download 2018!

Producer Ross Robinson & Dead Cross. Record Label Ipecac Recordings. Producers Dead Cross & Ross Robinson. Writers Bauhaus & Dead Cross.

Формируйте собственную коллекцию записей Dead Cross. Jesus Christ, what an album. I was excited when Dead Cross was announced and then when Patton joined I was filled with more anticipation.

Album Name Dead Cross. 版公司 Ipecac Recordings.

In fact, discomfort is Dead Cross' . but the results are so ghoulishly compelling that it's akin to shamefully leering out your car window at a grisly accident scene on your way to pick up a pizza. Hardcore done right is a terrible and beautiful thing.

Dead Cross’ freaky evisceration of hardcore, thrash, and noise rock is meant to burst eardrums and leave listeners in a daze. The Future Has Been Cancelled is a sonic tantrum, featuring Mike Patton’s coughs and gasps over bee-swarm riffs and drummer Dave Lombardo’s warp-speed beats; Obedience School blasts avant-garde intensity while also dropping operatic howls and fight chants into the melee. There’s even a version of Bauhaus’ goth classic Bela Lugosi’s Dead, which is contorted into hammering alt-metal. Dead Cross Dead Cross.

DEAD CROSS – Dead Cross Release: 4th August 2017. DEAD CROSS line up: Mike Patton – Vocals Mike Crain – Guitar Justin Pierson – Bass Dave Lombardo – Drums. That’s probably the best way to describe the Southern Californian supergroup, Dead Cross, originally formed in 2015 with Gabriel Serbian at the helm. Fast forward to the band’s debut release and you’ll find a mind-spin of a record, spurred by the devilishly jarring vocals of Mike Patton (Faith No More), who joined last year. The album ascends back to a devastating speed on ‘Divine Faith’. Supported by some particularly complex rhythms by Lombardo, the frontman really lets his voice go as the bass drone kicks back in. This part of the record though is where it briefly seems to come unstuck.

Listen free to Dead Cross – Dead Cross (Seizure and Desist, Idiopathic and more). Discover more music, concerts, videos, and pictures with the largest catalogue online at Last. A new version of Last. Overview (current section).

Продавец: Интернет-магазин Ozon. Адрес: Россия, Москва, Пресненская набережная, 10. ОГРН: 1027739244741

I really hated this at first until I realized it's 45RPM lol.
just one girl
Most grateful for all the comments here, and across the pages of this release because they prompted me to pull the trigger and buy this on vinyl. The vinyl really does sound so much better than the digital release. The bottom end is just beefier and the packaging is just stunning.
i thought i had heard CRAZY and INSANE recorded on CD... then walked into best buy in kansas city to check out the new apple homepod. i was checking out some music in the CD section, as i hear BB is getting ready to stop selling them unfortunately, and walk over to the apple section. i touch the home pod and say, "hey sir, play me some dead cross." what follows sent people running. i dont even know what song the homepod began playing but it was pure sonic chaos.i ran to the cashier and forked over the $8.99 and walked out of the store, still letting siri blast some dead cross.
Either the matrix codes are wrong, or I have a different variant: mine say "IPC-193-B #2 and IPC-193-A #2", so the "LP" is missing. The gold version has the same matrix format, so I think there's a mistake here, copied from the catalog number, which does have the "LP". If I'm right, this should be corrected.
I just bought this on CD in Australia. Can someone please tell me if their copy has a booklet in the inner sleeve? Mine only came with a CD in the back-cover sleeve. The front cover sleeve was empty?!
i just bought it last night and there is no cd booklet. just the cardboard packaging. i bought in KC, MO, USA.
There isn't supposed to be a booklet in the front sleeve.
Mine's the same from the UK. No booklet. Looks like all of the sleevenotes are written in the glow-in-the-dark print within the gatefold.
White gold
My release doesn't contain a download card. Anyone else having the same issue ?
Hardcore LP masters are always a mixed bag and this one is no different. Clearly the album is amazing so this review is really just an observation on the mastering for the record versus the digital as well as a review of the packaging.The packaging for this LP is sick and well thought out. What looks like a simple hand drawn image of a skeletal christ figure turns out to be a textured glow in the dark graphic. The inside liner notes are glow in the dark as well, textured in a way where they visually look like they are floating behind the dead cross graphic art. When you first notice the illusion it's hypnotizing.The gold vinyl record itself looks great with minimal and barely visible warping that doesn't effect the playback. There were stray vinyl shavings on the edges of the record but a quick wipe with a rag cleared them away. Audio wise there was some slight surface noise with a whooshing sound in the right ear. Obviously none of this is audible during the gnar thrash of the songs. Musically there is a noticeable difference between this master and the digital version with some give and take for either version. On the digital version Patton's vocals are piercing, upfront in the mix and Lombardo's drums are compressed extending no louder than Patton's vocals. On the vinyl, all the guitars and Patton's vocals sound compressed and smooshed into each other stripping the piercing highs from Patton's vocals while creating an almost flat sound. Conversely though, Lombardo's drums on the record are dynamic and big with a concussive bass punch and full dynamic range that you don't get on the digital version. Soundstage wise you hear the whole arrangement condensed and localized in one area while Lombardo's drums sort of tap dance around you and kick in your sides.In theory, I would have wanted more wide spatial distance in the arrangement but this mix is sort of a treat in the way that it is very Lombardo centric.
That sucks. I figured there might be some pressing issues given the weirdness with the noise floor and the subsequent whooshing noise I could hear in quiet bands between the tracks. I guess I got lucky with mine.
Good Review. Unfortunately, my pressing is actually warped enough that it affects the playback. I don't have that happen often.
Thanks for this excellent review! Got mine today! Usually worried about coloured pressings but you've put me at ease which will be jarring when i crank the shit out of this, cheers!
Jesus Christ, what an album. I was excited when Dead Cross was announced and then when Patton joined I was filled with more anticipation. I tried to avoid the preview clips as much as possible as I always like sitting down on release day with a fresh slab of vinyl and sitting down to give it a spin or 3.The package is top class, sleeve is of a high quality, the glow in the dark feature is a great gimmick, especially the lyrics inside the gatefold. Gold vinyl looks cool, mine has a slight warp in it, plays fine but am trying to get it changed anyway.Onto the music. It really is top notch. Justin Pearson & Michael Crain bring the riffs and bass with great power. They provide the hardcore sound to this perfectly. Lombardo sounds like he did in 80's Slayer, tight and aggressive. Perfect.Predictably the star of the show is Patton though. This guy is 100% the best vocalist of all time in my opinion. We all know his vocal range and the styles he can pull off with ease so I am not going to go on and on. On Dead Cross he sits in the region of his FNM classic such as Jizzlobber, Ugly in the Morning and Cukoo for Caca. He is not limited to that though. There are harmonies and much more too.Grab a copy and go see them on tour.
Phallozs Dwarfs
There's not enough time in this world or words in any language to truly describe how unique and absolutely crushing this record is. The music itself is blistering, one of Dave's heaviest releases if not his heaviest. Mike Patton does it again almost 30 years later and jumps into a record already written and somehow still makes an enormous mark on the entirety of the lp. The sound of this is also stupendous. Mastered at 45 rpm its definitely a quality record in sound and media. A must have for any fans of Lombardo, Patton, or odd heavy music in general
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